Pink floyd ummagumma a saucerful of secrets

'Syncopated Pandemonium' (3:57вЂ“7:04, drum tape loop, cymbals, distorted guitars, piano).'Something Else' (0:00вЂ“3:57, slow closely miked cymbal fade-in and echoing organ, slide guitar, bass, chimes).'Storm Signal' represents the view of the dead after the battle has ended, and 'Celestial Voices' represents the mourning of the dead. 'Syncopated Pandemonium' represents the actual battle. 'Something Else' represents the setup of the battle. Roger Waters once stated in a Rolling Stone interview that the song was about a battle and the aftermath. The second part was recorded as 'Nick's Boogie' before being retitled as 'Syncopated Pandemonium', while the last part is titled 'Celestial Voices'. The first part, 'Something Else', was logged as 'Richard's Rave Up' when the song was recorded at EMI Studios. Structure ДЄlthough the song is listed on all pressings of the album as 'A Saucerful of Secrets', some pressings of Ummagumma break the piece into four different sections. This was corrected with the remastered version released in 1994. On the original vinyl and early CD issues, his name was misspelled as 'Gilmore'. The song was Gilmour's first songwriting credit with Pink Floyd. The album A Saucerful of Secrets itself also carried this title. The Japanese release of this song was simply titled зҐћз§ ( shinpi), which translates as 'Mystery'. The 'Celestial Voices' section started with just organ as per the studio version, but gradually added drums, bass, guitar and wordless vocals, provided by David Gilmour. For the 'Syncopated Pandemonium' section, Richard Wright usually played his Farfisa organ instead of pounding a grand piano with his fists as on the studio recording (the version on Pompeii being an exception). The closely miked cymbal sound that starts the piece was instead performed as a two-note drone on the bass. Live performances of the song differed significantly from the studio version. We passed on all our individual desires, talents and knowledge to each other. And the way they worked certainly educated me. But throughout the following period I tried to add what I knew of harmony and bring it slightly more mainstream, if you like. I can't say as I fully understood what was going on when it was being made, with Roger sitting around drawing little diagrams on bits of paper. The band felt we achieved something with the title track of A Saucerful of Secrets (1968). A live version of the track is available on their 1969 double album Ummagumma, and an alternative version is seen and heard in the film Pink Floyd: Live at Pompeii, which was performed at director Adrian Maben's request, as he thought it would be a good addition to the film. 'A Saucerful of Secrets' was titled 'The Massed Gadgets of Hercules' in its earliest performance and became a Pink Floyd live staple from 1968 to 1972.

Pink floyd ummagumma a saucerful of secrets